Jeff Carl.com

By Paul Caputo and Jeffrey Carl

You’ll note that “ahoy!” is one of the funniest words in existence. This column’s highlight was probably the stoning of David Hasselhoff by angry reporters. I think at the time “gay” and “Richard Simmons” were still words that could get a cheap laugh just by mentioning them, or at least that’s the only explanation for how often we went out of our way to keep telling people we weren’t gay. Which we aren’t. Or, you know what, you can ask Paul since I don’t want to speak for him.

Hi.  We are “Jeff and Paul.”  Just like famed magicians “Siegfried and Roy,” except we don’t do magic tricks, we don’t have any huge invisible tigers and we aren’t gay.

Well, 1995 is over, except for those of you still on Daylight Savings Time. It’s time to dump Old Man ‘95 in the Matlock Memorial Nursing Home of Time and pluck Baby ‘96 from the Stroller of Hope. But before we move on to 1996 (“The Year of the Poodle”), it’s time to reflect upon 1995 (“The Year of Lots of Fish.”)  History will certainly remember 1995 as having been “after 1994, and before 1996.”  And that’s important.  Unless you’re on Daylight Savings Time, in which case 1995 comes after 316 B.C., and in the Mountain Time Zone there are 36 days in October.

It is said that “Those who do not learn history are doomed to repeat it, unless they bribe, sleep with, or shoot their teacher.”  Well, there are no bribes for the Great Teacher of Time, who calls the Roll of History, assigns the Homework of Experience, gives the Detention of Global Warming, gets sick and is replaced by the Substitue Teacher of Unregulated Interstate Commerce, and is sometimes Drunk in Class, which results in Leap Years and the weather formation known as “El Niño.”

We must study the mistakes of 1995, like the government shutdowns and Waterworld (also known as “Fishtar”), if we are to avoid repeating them. We gaze back upon the Major Events of 1995, and wonder, “Where did the time go?  What the Hell was I thinking?  Was I drunk or  something?  And why did somebody give me Tube Socks for Christmas?  Who the Hell wants socks?”

1995, Or Whatever

January 4: Baywatch becomes the most popular TV show in the history of the universe.  Star David Hasselhoff, in a special celebratory press conference at his Austrian mountain retreat (der Hasselhäus) inexplicably sings “Send in the Clowns” in German, but only gets as far as the second verse before he is stoned by angry reporters.

January 13: The Richmond City Council rejects the idea of Riverboat gambling on the Annabel Lee, saying, “Wow! Try some of these red pills!”

February 6: It’s really cold.

March 12: Investors cheer as the Dow Jones Average breaks the high of 4000, allowing them to enter their initials on the High Score Board.

March 15: Gen. Douglas MacArthur signs the treaty ending World War II. Um, well, we’re pretty sure something like that happened last year.

March 20: Hundreds are killed in Japan after the maniacal Aum Shinrikyo cult plants deadly bombs in subways that release concentrated doses of Jeff Foxworthy’s “You Might Be A Redneck If…” CD.

April 2: The Major League Baseball strike ends when ABC, in place of baseball, broadcasts documentaries on “Our Wacky Friend the Lemur” and “The Mystery and Magic of Sand.”  Ratings go up.

May 24-31: We don’t remember what happened here.  Paul was out of town and Jeff was drunk.

June 21: 28-year-old Nicholas Leeson manages to single-handedly wreck the entire British Barings Bank after losing $1.2 billion of England’s money.  He later claims he “just lost it under the cushions of his car seats.”

July 7: The worst drought in years kills every plant in the state, making Virginia’s leading crop “Thatch.”

July 30: The worst floods ever to hit Virginia wash away all of the state’s freshly-harvested thatch crop, making the new leading cash crop “Gravel.”

August 2: The “Unabomber” threatens to blow up somebody unless The Washington Post prints his 35,000-word treatise on the evils of Static Cling.

August 12: Plucky but brain-damaged Peter McNeely announces he will fight Mike Tyson.  Hopeful children gather outside the arena to catch McNeely’s head as it comes out over the left-field fence.

August 19: Plucky but porcine Shannon Faulkner quits The Citadel.  Hundreds of cadets celebrate jubilantly, saying “Boy are we sure glad there’s no GIRLS around anymore!  It’s just us GUYS, hanging out in sailor suits and getting sweaty doing push-ups!  Yaaayyyy!”

Later that afternoon: Richard Simmons applies to The Citadel.

August 27: Citizens of Quebec vote narrowly to support the referendum stating that “Playing ice hockey and speaking French just don’t seem to go together.”  It is a terrible defeat for the ultra-nationalist Passez les Croissants Party, but they vow to continue their fight “by any means necessary.”

September 3: Shannon Faulkner knocks out Peter McNeely in 91 seconds.

September 21: A pack of ruthless Quebeçois terrorists from the PLC Party sneak into a crowded shopping mall at mid-day, and savagely hand out leaflets explaining their position.

October 3: O. J. Simpson is found “Not Guilty.”  Angry upper-middle-class whites riot, looting BMW dealerships and setting several Starbucks Coffee stores ablaze.

October 7: Colin Powell announces that he won’t run for president, but is thinking of getting a part-time job.

October 9: In a commercial, Peter McNeely is (True Fact!) knocked out by a greasy piece of pizza.

October 12: Under renewed threats of mail-bombing attempts, The Richmond State publishes a 35,000-word treatise on how to survive after college.Our weekly column is born.

October 15: Hurricane (Real Name!) Opal hits the east coast, resulting in one tree falling over and three hundred surfers appearing on the local news talking about how “Bitchin’!” the waves are.

October 16: The Million-Man March in Washington D.C. attracts, according to the U.S. Park Service, 400,000 marchers and 514,000 reporters.  March organizer Louis Farrakhan claims attendance was under-counted because “the white man insists on placing several numbers between 3 and 8.”

October 17: Terrorists bomb France, endangering the world’s supply of berets and pretentiousness.  A special U.N. peacekeeping force moves into Paris, but retreats after being ambushed by a pack of surly French waiters.

October 28: A seriously overexcited Atlanta Braves fan, doing “The Tomahawk Chop” during the World Series, cracks the skull of Jane Fonda, sitting in front of him.  Millions applaud.

November 14: The government wages a campaign to force the restaurant “Hooters” to hire male waitresses.  Keep in mind that your tax dollars paid for this.

November 15: In an official statement, men world-wide announce, “Yech.”

November 19: Part one of ABC’s  Beatles Anthology airs, surprising even the most die-hard fans when it reveals that Ringo was once the leader of the Gestapo.

November 21: President Clinton meets with Bosnian and Serbian leaders in similarly war-torn Ohio, where they agree to give the Bosnians control of Board Walk and Park Place, and give the Serbs the “War in Bosnia” Home Game and a lifetime supply of Turtle Wax.

November 23: In part 3 of the landmark Beatles Anthology, Ringo knocks out Peter McNeely in 18 seconds.

November 30: Peter McNeely announces plans to fight a rock. Oddsmakers give him 15 seconds.

December 3: Rome invades Carthage, beginning the third Punic War.

December 9: The first American troops, the 103rd Airborne (“The Screaming Weasels”), arrive in the war-torn Balkans.  They decide it is “no fun” and just go invade Luxembourg.

December 12: David Hasselhoff, in a bizarre stage-diving accident during a concert in Düsseldorf, knocks out Peter McNeely.

December 25: Paul gets Tube Socks for Christmas. Jeff gets coal and a “Slippy, the Christmas Weasel” necktie.

December 31: In Times Square, ten seconds before midnight, a wild-eyed and obviously drunk Dick Clark rings in the new year by knocking out Peter McNeely. McNeely, dazed, yells “Happy Hallowe’en!” and is then crushed to death by the huge dropping ball.

©1996! Puff Carpluto

Check out Jeff and Paul on the Internet at http://www.pluginc.com!

By Paul Caputo and Jeffrey Carl

Lots of people thought Richmond was just full of uncultured redneck whitebread crackers. In our review of the Virginia Museum of Fine Arts, we proved them right. (You can tell by Paul’s overuse of the hackneyed cliche “WHOOO DOGGIES!.” It’s worth noting that, at the time, my sophisticated appreciation of modernist art was roughly on par with my appreciation of food that did not come in a wrapper or styrofoam container.

Hi. We are Jeff and Paul™ Culture Ahoy!

Culture: what is it? How was it created? How did it get there? Will it cost you 39 cents extra (41 with tax)? Is it bigger than a breadbox? Do you serve red or white wine with it? Does it go with tan or navy slacks? Will it change your life? Do you have to change your underwear?

These are the questions that we will answer for you, valued State reader (yes, both of you) in our landmark one-part series:

“Hey! CULTURE!” 

Among prolific and respected historians, Dr. James Vünderthise is one of the least prolific or respected. This notwithstanding, it is Vünderthise who is responsible for what many consider the universe’s most worthwhile definition of “Culture.” In his book, Ancient Greece, Modern Scotland and other Cross-Dressing Cultures, Vünderthise defines Culture as “objects which are æsthetically pleasing, morally uplifting, and not nearly as interesting as ‘Knight Rider’ reruns on the USA Network.”

For any serious Art Critic, or even us, this definition of Culture leaves several problems. First, according to this, objects such as Action Figures and Taco Bell’s Bacon Cheeseburger Burrito classify as Culture. The second is that Dr. Vünderthise does not specify which “Knight Rider” episode he’s thinking of. For instance, the episode where KITT ends up in the Hicksville to save the Hick Woman from the Hick Mob is not even close to being as interesting the episode in which KITT’s evil twin, KARR, tries to kill David Hasselhoff. Incidentally, we applaud this idea.

In our relentless, almost maniacal pursuit of Culture, we selected the its nearest local purveyor, the Virginia Museum of Fine Arts. We figured we have exactly what it takes to be Professional Art Critics: Free Time. As Famous Mayoral Candidates – where we were greeted with a humongous wave of total apathy – we had the requisite Free Time to go to the museum and select several objets d’art (French for “objects of – duh – art”), review them and give them a Culture Rating in stars (or something), so you – wise State reader – will know which will give you Culture and which you can skip, saving valuable minutes of inconvenient and expensive walking.

The Suggested Donation          Rating: FIVE STARS

The first display as you enter the building, it is a striking example of Modern Art. “The Suggested Donation” portrays a small wad of crumpled bills and change, encased in glass, mounted (and we use this word in its classy, artistic way) on a wooden stand. Its meaning, like much of Modern Art, is open to interpretation. Some say it represents class struggle; some call it an indictment of materialism; others call it a comic, satiric piece. Most critics admit that it shouldn’t be taken seriously.

Anyway, entrance to the museum is free.

Big Scary African Masks         Rating: TWELVE STARS

This section of the museum contained a bunch of HUUUUUUUGE African masks designed to SCARE THE LIVING CRAP OUT OF various Wussy Belgian Explorers who came to conquer the continent.  These masks were great: about eight feet high, 12,000 pounds and shaped like buffaloes or Republicans.  Either way, they were Huge And Cool-Shaped, obviously designed by smart African Tribesmen to be distributed to archæologists, rather than to be Actually Worn, because they bear tiny African inscriptions saying: FOR IDIOT AMERICAN ARCHAEOLOGISTS ONLY! WEAR ONLY IN CASE OF HURRICANES!, of which there are obviously none in Africa.

English hunting pictures         Rating: TWO HORSES AND ONE COCKER SPANIEL

This is an actual section of the museum. We saw it on the free museum map and thought that maybe there would be pictures of gored animals or crazed, gored Englishmen hunting wild bison. This is not what was there.

We said, “Look! A horse! Standing!” And, “Look! Another horse in a very similar pose!” And, “Look, a DIFFERENT horse.” And, “Hey! A horse jumping!” And, “Hmm … here is a horse NOT jumping.” And, “Oh. It’s a horse.” And, “Ha ha, how amusing, the same horse from a different angle.” And, eventually, “PLEASE DEAR GOD NO MORE HORSE PICTURES!”

The whole section looked like vacation pictures from Sea World, if Sea World had fat horses instead of dolphins and they drained all the water out. There were pictures of Englishpeople (exciting!) standing by horses, riding on horses, and … um, standing by horses.

Did our tax dollars buy this?

If you were to rank all of the parts of the museum (and why would you, since we’re doing it for you?) according to the level of interest they arouse, the English hunting section would come in just above Andy Warhol, and just below the floors tiles and parking lot.

The Enormous Head in the Arts Café Garden            Rating: NEGATIVE 7 STARS

On loan from the Metropolitan Museum of Art, this sculpture is one of the most unsettling pieces in or even near the museum. In fact, it is so unsettling, they put it outside the building just so it wouldn’t spook the horses in the English Hunting Art section. The sculpture itself is an enormous disembodied old man’s head, positioned just up a small hill from several tables where patrons eat and relax in the Arts Café Garden. 

Of course, it’s impossible to eat or relax because there is this … huge … HEAD. Watching you. It looks like a cross between God and Mr. Magoo.  Creepy.

A Bunch of Elvises, by Andy Warhol     Rating: TWO THUMBS JAMMED UP YOUR (censored)

Okay. It’s a bunch of colored pictures of Elvis.  True, it serves as an important precursor to the Velvet Elvis Period in American art. Warhol supposedly popularized “Pop Art,” which sounds like soda stains and looks worse. But … oh, come on.  Andy, your 15 minutes are up.

Dégas ballerina          Rating: WHOOOOOOO DOGGY!

Don’t you think this guy was a bit too interested in little girls in leotards?

Something I Just Did in a Hurry, by Vincent “Vinnie” Van Gogh        Rating: THREE GROSS SEVERED EARS

We guess every museum has to have a Van Gogh. But the VMFA’s is sort of a “Van Gogh Lite” – one of the less expensive ones that The Louvre uses for napkins. It is the size of a large postage stamp, and looks like the kind of thing Van Gogh used for a game of Pictionary. Still, it’s a Van Gogh, even if he DID sneeze all over it.

On the whole, the Virginia Museum of Fine Arts has a lot going for it, and, while the “cool” kids these days might not think it’s “hip” to “hang out” there, that’s okay, because you “young people” are “idiots.”

If you are a classy, educated individual, which clearly you are not because you are reading this column, the art museum is a place to revel in the glories of Culture and fine art. If you are a cretin or a derelict (which is fine, if you like that sort of thing), the art museum is a great place to vomit in while the Art Museum Elite Strike Force Guards glare menacingly at you. Or whatever.

As you leave the art museum after your next visit, do not rub the giant golden bunny’s head for good luck. 

They hate that.

By Paul Caputo and Jeffrey Carl

Our first Theatre review, on the appearance of WWF Raw! at the Richmond Coliseum. Most exquisite abstract-art theatre. Actually, I think this was our second-funniest column ever. But I don’t remember this event. In retrospect, it’s entirely possible that only Paul actually ever went to WWF RAW and that I just wrote my parts based on snarky preconceived notions about wresting and its fans. In fact, most of my writing in this period is slathered with contempt for people who were socioeconomically different from me. So, if this is/was you, I apologize in advance.

Hi. We are Jeff “The Berserk Weasel” Carl and Paul “The Mollusk” Caputo.  And we RULE!

The touring company of “WWF Monday Night RAW!” recently came to Richmond for a one-night-only performance.  And these two reviewers have never seen a show that could compare to its power, energy and sheer number of times people were kicked in the face.

Wrestling has been part of High Culture since the first Olympics in 4 Trillion B.C., when Fabius “The Human Phalanx” Celsius defeated Brutus “The Dagger” Omnibus Cum Laude.  Brutus’s manager, Aristotle “The Brain” Socrates then challenged Celsius to the first Pay-Per-View Grudge Match.

Things were different then: everyone was Greek, and also they may not have been faking it.  But today, wrestling is the finest avant-garde (Serbian for “avocado gourd”) theater in the world.  The modern wrestlers’ performances last Monday night were savage in their post-modernist sarcasm.  The Heroes – tragic anti-heroes, really – were garbed in costumes of such astonishing tackiness that it looked as if someone had stuck a peacock in a blender, then stapled the purée to Spandex.  The Bad Guys were equally vile, reminescent of Keanu Reeves in Little Buddha.  Especially notable was Gary Ramirez in a cameo role as The No-Name Guy Who Gets the Holy Bejeezus Beat Out of Him by One of the Stars.

The first sign that Professional Wrestling is artificial is that it was sponsored in part by “News Channel” 6. If you have ever watched Channel 6, you know that their reporters are made out of a semi-realistic foam rubber compound.  The part of “Charles Fishburne” is played by a clever trained weasel.

The most brilliant part of the performance was that when we arrived, the seats were already filled with “fans” there to make it look like an Actual Sporting Event.  Their portrayal of rabidly overexcited Drooling Zombies was brilliant.  We’re sure they were actors, because they couldn’t have been real. There were several brilliantly-timed lines from these performers, like “C’mon Ref!” “Now git ‘im this time!” and “If I eat one more Blue Icey Treat, I’m going to throw up!”  Okay, that last one was Paul.

The choreography was brilliantly chaotic, savagely modérne, a cross between Bob Fosse and “Godzilla versus Mothra.”  It was like a grand ballet, except you kick people in the face.

At the end of matches, the “fans” would rush, like a swarm of crazed bees with “Love Me Some Skoal” tattoos, to line the corridor where the next wrestler would appear. They apparently sensed when to do this with special chromosomes that the rest of us don’t have … or maybe it’s the other way around.  For a moment, we were convinced that we were at an Actual Sporting Event, albeit one in Hell.

Paul lost a coin flip and had to go interview some Actual Wrestling Fans.  They said inspiring things like “Benny ‘The Flying Carp’ Zambesi RULES!” and “Whooooo!”

The WWF “fans” demonstrated their manic enthusiasm by breaking out the crayons and making signs to hold up in case they got on TV. The Coliseum was filled with colorful if unintelligible signs: “Richmond Likes it RAW!” “Gorrilla Monsoon For President!” and “News Channel 6: ‘Coverage You Can Count On!’”

Some “fans” were particularly compelling.  In the third row there was a grotesquely obese man wearing (True Fact!) a cardboard Burger King crown, who whistled to the wrestlers and danced sometimes.  A truly brutal commentary on Materialism and Greed.  Jeff has never been so disturbed in his entire life.

Also, there were two really cute girls holding up signs.  They weren’t a comment on anything, but we spent a lot of time watching them, just in case.

Whenever the “fans’” “favorite” “wrestlers” appeared, thousands cheered wildy, and hundreds of otherwise-dormant brain cells leapt into action.  The critique of totalitarian socialism was savage.  The entire arena looked like a horde of Berserk Redneck Mongolian Warlords, dredged from the shallow end of the gene pool and oozing lumpily up the walls of the Coliseum.

The Coliseum Staff was in on the act as well, giving us a thrill-packed adventure before the match when we tried to pick up our press passes.  The Sluglike Woman (a brilliant cameo!) in the Box Office told us to go to the Lower Concourse. (The scenery downstairs involved a lone befuddled guard sitting amidst whistling wind and tumbleweeds in a vast, open, entirely press pass-less space. A bit overdone. Really.)  The Lower Concourse Office told us to go upstairs. The Upstairs Office told us to go to the Box Office.  The Box Office told us to go to Hell.

Eventually we pestered  Slug Woman (and her sidekick, Sloth Cashier) to call a Box Office Manager, so that she could go back to her other valuable work, cracking walnuts with her skull.  We think they never found our press reservations – the Manager just gave us tickets so we would go away.  

We wonder if they do this stuff to the Times-Dispatch.

But the really moving performances were in the ring.  The Referee was vital: he was Everyman; he was blind Justice; he was obviously drunk.  The “rules” are strict: whenever ANYONE breaks even a tiny rule, the referee MUST grimace and MAKE A STERN GESTURE imitating the infraction, then stare at the ceiling and PICK HIS NOSE while one wrestler’s manager beats the other wrestler SENSELESS with a POLO MALLET.

The first match was Enormous Fat Man (played by Chris Farley) and his Flamboyant Manager (Elton John) versus Flamboyant Wrestler (An Overgrown Mutated Weasel) and his Enormous Fat Manager (the late Orson Welles). The wrestlers’ repertoires included a wide range of professional wrestling moves, such as the Almost-A-Punch, the Flying Buttress, the Body Slam, the Denny’s Combo Melt Slam! and the ubiquitous Clutch-Your-Face-When-The-Other-Guy-Pretends-To-Punch-You.

WWF Heavyweight Champion Brett “The Large Intestine” Harte gave a stirring soliloquiy.  Unfortunately, he gave it in a high-pitched yell, about half an inch from the microphone, so what the audience heard was “BLAPHT SZZGRBL kill PHLORGM!  NRZBT “WWF” LIPPY-GORPLER! Minnesota Timberwolves GRLOOOMP!!  FNNGVLST MRDLUNHGP existentialism PHLURG quantum physics HNFF fin-de-síecle London GNRKLTNDFMG Super Size McBHRLTLTHOKKKK!!!!!”  Still, it was pretty inspiring.

One wrestler, who we think was named “Mister Savage,” or possibly “Bert,” appeared in a cloud of smoke and walked directly toward his first opponent, “USA Network Camera Man.” Savage Guy (or whatever) intimidated Camera Guy by screaming at him unintelligibly and covering him with spittle, often in large gobs.  Then he got in the ring and kicked somebody in the face.

One wrestler was really hurt during the performance – the Martha Graham Dance Company also faces many such injuries during a season – and the WWF Emergency Medical Response Team (four fat guys with a stethoscope) sprang into action several beers later.  This must have been very reassuring to the injured man (“Don’t worry!  There are FAT MEN coming to help you!”), since he lay motionless and didn’t try to crawl to a hospital.  Delicious satire on health-care reform.

The show’s climax is the GREATEST EVENT IN THE HISTORY OF THE UNIVERSE. The three-hour web of intrigue and colorful Underoos™ that the cast had been weaving all night drew to a Shakespearean finale of Faustian conflict, Herculean effort and kicking people in the face. It was, uh … well … you know. Okay, so we left early.

What conclusions can we draw from all this? 

On the Bad Side, the utterly seamless performance may have left some viewers with the misapprehension that it was real.  Plus some people may be allergic to bizarrely-costumed homoeroticism.  

On the Good Side, we were getting paid for this.

By Paul Caputo and Jeffrey Carl

Our special editorial on what we were and weren’t thankful for, including Miracle Whip, happy Golden Retrievers and girlfriends who hadn’t dumped us. Written with all the pathos and earnestness that two callow 22-year-olds could muster at the time, which is frankly not much. But still kind of touching, actually.

Hi. We are Jeff and Paul.  And just what are yams anyway?

Thanksgiving is as much a part of American culture as baseball and David Hasselhoff. It is a time to give thanks, (Get it?  Thanks … give … ing?  Clever.), a time to revel in the warmth of family, a time to reflect, a time to eat so much that you feel like you will NEVER EAT EVER AGAIN, until tomorrow when Taco Bell unveils its Border Light Leftover Turkey Soft Tacos. 

It is a time for brotherhood and stuffing.  Not necessarily in that order.

To truly understand Thanksgiving, we must go back to the story of the First Thanksgiving. Some historians (all right, one historian) believe that Thanksgiving was invented by aliens from the planet Pong. Another scholar (Rush Limbaugh) believes that Thanksgiving came into existence for bleeding-heart cry-baby liberals who wanted more turkey. (Although, Limbaugh doesn’t need any more turkey himself, if you know what we mean.)  Both of these theories, while believeable, are, as the Norwegians say, “Wrong.” 

If we recall our 17th Century History correctly – which we almost certainly don’t – the Pilgrims, seeking freedom and larger belt buckles, sailed to America, the Land of Opportunity, Freedom and “Miracle Whip.”  They endured many harsh winters, caused by, um … Canada and the Treaty of Ghent.  Just to keep warm , they had to burn witches.  Then they met the Indians and wrote the Magna Carta.  One Indian, Squanto, taught them how to plant “maize,” or  margarine.  This made them so happy that they arranged for a great feast, invited all the Indians and then shot them — including Squanto, whom they blamed for the terrible margarine harvest.  This process (shooting Indians, not planting margarine) continued for several hundred years. We’re not sure what that means but we’re glad the pilgrims aren’t shooting us.

This theory may be “factually correct,” but it too is wrong. Actually, Thanksgiving originated when the first Indians played the first Cowboys in NFL football.

Perhaps we can understand Thanksgiving through our modern, updated observance rituals.

Modern Americans celebrate Thanksgiving by dressing their children in ugly pastel dress-up clothes and  gathering at the ugly house of ugly Aunt Helen, who “hasn’t seen you since you were only knee-high to a weasel and ooooh how you’ve grown!” The men drink beer and watch football in the living room while the young cousins sneak outside with the enormous pot of Uncle Bert’s “special” mashed potatoes and play “Spackle Tag” in the yard. The women congregate in the kitchen, where they drink cooking sherry and talk about how thankful they are that football is on so that the men don’t try to help out with the food.

Football has always been a part of Thanksgiving because without it people would be forced to speak to “relatives,” people who are apparently, through no fault of their own, related to them. If men did not have the haven of televised Detroit Lions games, there would be endless violent arguments about silly family matters like who hates whose family and whose kids painted whose cars with cranberry sauce, blah blah blah.. With football, though, men can argue about important matters, such as why only an idiot would run straight up the middle on third and goal on the four yard line.

In most familes, there is a tradition in which the leading male figure (the male with the least hair) slices, or “trims” (Turkish for “hacks the crap out of”) the turkey that Aunt Helen has had in the oven since, roughly, last February. This tradition is allows males to be a part of it all without screwing up something that would ruin the entire holiday. In Paul’s family (True Fact!) it is his job to open the jars of olives (black and green). And he’s damn good at it.

Despite the fact that Thanksgiving’s mascot is the stupidest animal in the universe (turkeys often score less than powdered donuts and wood paneling on the SATs), it carries a serious message.

It is not our custom to be serious.  In fact, Jeff has never done it before, and the only time Paul ever tried it he couldn’t eat solid foods for three weeks.  However, we do have a lot to be thankful for.

We are thankful that our girlfriends have not yet dumped us even after reading several of our columns. 

We are thankful for baseball fields on Sunday afternoons, for finding a decent song on the radio, for backrubs from the aforementioned girlfriends, and for the way that golden retrievers just seem to be happy about everything. We are thankful that you are reading this column, when you could be watching “Baywatch.”

Nonetheless, we are thankful for “Baywatch.”

We are thankful for Extra Value Meals.

We are thankful that Super-Sizing them costs only 39 cents (plus tax).

We are thankful for the Chinese food at Beijing Café.

We are not thankful that Bob Saget is still alive.

We are thankful that we live in a country where smart-asses like us can make fun of everything.  

We are thankful that we all have so much to be grateful for – whether we realize it or not.  And we are thankful that you are here with us to say “thanks.”

Happy Thanksgiving, everyone, from everyone at the State.  And save your wishbones for us.  All of us.  Or we’re coming after you.

By Paul Caputo and Jeffrey Carl

The complete guide to Richmond Virginia radio stations in late 1995. At the time, this was hilarious. Unfortunately, even I don’t remember why it was funny at the time. Still, I think it’s funny that we said one ‘Lite Rock’ station’s motto was “It’s like never leaving the elevator.” That line was Paul’s, but I consistently take credit for it.

Hi.  We are Jeff and Paul.  But sometimes we fight crime in our secret identities of “Captain Gravel” and  his sidekick, “Fish Boy.”

Welcome to part 7 of our seemingly never-ending series, “The Decline and Fall of Basically Everything.”  Our previous chapters examined the Richmond Marathon, the Martha Graham Dance Company, turnpikes, cancer and the evidence linking Style Weekly to Satan.  This week’s installment is …. what’s that?  You  missed the last six?  We submitted them, but we suppose they were “bumped” to make room for the STATE’s special editorial pull-out section last week on “Why Poor People Should Be Shot.”  Oh, well. 

If you have never heard the expression “A city is made in its airwaves,” it is probably because it is one we just made up for the purposes of this column. However, were this an actual expression instead of an invention of what can only be described as “warped journalism,” it would serve as a great introduction to this column, which just happens to be about radio in the city of Richmond.

Recent changes have put Richmond’s music on the “cutting edge,” bringing it to the “forefront” of the “musical scene,” making it “fashionably late for dinner.” While the changes can only be “positive” for the simple reason that the Richmond “radio scene” sucked “a lot” before the changes, it should be noted that, after the changes, radio in Richmond still “bites itself.”

Now, in studying the subtle nuances of radio in Richmond we must first discount all country music.. The reason for this can be summed up by the following remark by a noted music critic: “AIEEEEEEEE! OK I’ll talk! Please God, don’t make me listen to that!” 

His thoughts can be understood better by analyzing the following lyrics from what is almost certainly an actual country music song:

Aaaah love mah truck/

And aaaaaah luv mah Maaaa/

But aaah jest found out/

Mah Maaa run off with maaaah dawg (chorus)

Moving along to what the hip kids these days call “rock ‘n’ roll,” we all know that the life of every radio-listening Richmonder changed when  Redneck Rock giant 104.7 WSUX switched its format from its original  country to its current 106.5 WVGO.

Wait.

No, that’s not right. 104.7, which now calls itself “The BUZZ” switched from its former country music format to its current “alternative” (“alternative” implying that it’s not your first choice) grunge music format. “Grunge” is a mysterious West Coast term that, for all we know, means “a light chicken gravy.”  You can tell that these  “alternative” bands are very progressive and cutting-edge because they have an out-of-context verb or noun name like “Suck” or “Dogbowl” that was apparently chosen at random.  

A typical lyric from one of these songs (True Fact!) by “Pearl Jam” seems to be, as best we can figure it out:

She dog lick fits sponge bone/

I bong the wink, scoop poke Nerf zone/

She slurp funk tick gourd (unintelligible)/

I  gills wig snort, stink clambake drone (guitar solo)

Right now we should mention, for the benefit of those who disagree with us and are preparing to write nasty letters written in flaming dog-doo stuck to the STATE’s door with a knife, that Paul and Jeff’s music tastes are not “cool” to begin with.  Paul still thinks that “They Might Be Giants” is neat, and Jeff is certifiably the only 22-year-old in the world who listens to “Gilbert and Sullivan.”  So you can a.) like it, or b.) lump it.

In response to 104.7’s maneuvering, WVGO 106.5 switched from its old alternative format to its new exactly-the-same but differently-named modern rock format.   Also, WVGO retired (“fired like a cruise missile”) its old morning show hosts,  Mike, Meg, Weav (short for “weevil?”), Bob, Yoda, and Ringo.  They then picked up Howard Stern, who fills a longtime gap in Richmond radio, namely that there weren’t enough “penis” jokes.

Not to be lost in the shuffle, XL102 did not change its format, or even rename of its old format. Instead, they put up huge billboards saying “Don’t Fake It,” and pictures of what must be some woman being tortured by police after trying to use a fake ID.  We applaud XL102’s stand on teenage civic responsibility.

Or … wait a second.  Oh, she’s supposed to be faking an orgasm.  That makes sense, because radio … orgasms … um … okay, we don’t know what the Hell that’s supposed to be about.  If someone finds out, please write to us, care of this newspaper.

XL102 also plays some “Heavy Metal” music.  It can be distinguished by its lyrics, which are something like this:

I am very angry about something!!!!!/

I am really very angry about something!!!!!/

My life is unpleasant, and I am angry about this!!!!!!!/

Now let’s all worship Satan. (guitar solo)

Or at least that’s what we heard.

Meanwhile, B103.7, which at any given point during the day, has up to four people listening to it, recently joined the radio battle by switching its motto from “The best of the 70s, 80s and 90s” to the harder edged, more direct, “All Phil Collins, All the Time.”  Its strategy also seems to be to play the theme song from the TV show “Friends” at least every three songs and sometimes up to twice per every song, and then again during commercials. 103.7’s most direct competition, Lite 98.1, combatted the recent movement on the radio dial by switching its motto from its old “Like Lite beer, but worse” to its new “It’s Like Never Leaving the Elevator.”

In a refreshing display of either stubbornness or apathy, the new WLEE 96.5 seems to be going out of its way to discourage listeners from tuning in. The most striking evidence of this is their occasional use of the motto, (True Fact!) “Keeping the ‘70s alive.”

Our message: LET THEM DIE!

Apparently, someone in the WLEE advertising department thought it would be really great if everybody out there in Listener Land imagined that the 96.5 deejays all had big muttonchop facial hair and were wearing plaid bell-bottom pants and tight satin button-down shirts. This is cool enough.  But then they actually have to play the music that people were listening to back then, which seems to have been nothing but “Steely Dan.”

At the far left end of the dial, we have the steering column. (Important note: There is only one actual functioning non-digital radio dial left in the country. So, unless you are actually in Jeff’s car while you are reading this, you’ll just have to imagine.) On the far “left,” we have Q94.5.  We should probably mention that we would listen to Q94 even if its entire music library consisted of old Menudo 8-Tracks for one simple reason: They keep saying they might call us and offer us $1,000. 

Can you imagine? A thousand drachmas! We could super-size it every time! We’d be living the good life, baby!

Then there is “Power 93,” which, according to their commercials, “JAMZ!!!!”  There are many people in the commercials dancing around and waving their fingers to demonstrate how happy this makes them.  At the other end of the dial, there is NPR, National Public Radio, which has all the excitement of Public Television, plus it doesn’t have pictures.  Paaaaarrrttyyyy!  Lyrics for a typical NPR song go like this:

Dum dum da dee dum/

Dum da da da da/

Dum doop de doop doo/

Let’s all go worship Satan. (flute solo)

Well, not really.  But it would be much cooler if it did.

At this point, we’ll open the discussion to questions from the audience.

Q: Do any of these stations play “The Beatles?”

A: No.

Q: So, then, they all stink, right?

A: Yes.

Perhaps we have been too harsh: these stations all have their good points.  For example, B103.7 plays cool cheesy ‘80s stuff.  WVGO is great to start your day with that first penis joke of the morning.  XL102 must have a sense of humor, for broadcasting “KISS Unplugged” on Halloween.  “The BUZZ” must be good for entertaining mutants and  VCU students. Lite 98 keeps Michael Bolton off welfare.

Therefore, our scientifically-tested recommendation is to listen to whatever station offers to pay you the most money.  God knows somebody should pay people for listening.  

Or whatever.

By Paul Caputo and Jeffrey Carl

A scholarly discourse on the wrongness of traffic jams on Cary Street; the question “No, Honey, REALLY, what’s the matter????”; the Richmond Marathon; fat guys in goofy hats; throwing up but still running; and Yoko Ono. Like pretty much everything else we wrote for The Richmond State, it all seemed uproariously funny at the time.

Hi.  We are Jeff and Paul.  And we will be Julie and Omar, your Cruise Directors.  Welcome aboard!

Actually, we are here to warn you, valued STATE reader, about a matter which no doubt concerns you deeply, especially if you are as weird as we are.  This is aside from the serious matters which worry us every day, such as “What’s for dinner?,”  “How could they fit that much cholesterol in it?,”  “How in the name of God are we going to pay for that without actual jobs?” and “Would we like that ‘Super-Sized’ for only 39 cents extra?”

We are worried about the declining state of basically everything.  Except “The Simpsons,” which is still fine.  And so we present our first in a series (unless they can us after this one) of in-depth examinations of all of the individual reasons that the world as we know it is more or less going to pot.

The first and most glaring example of this striking decline in everything is the recent Richmond Times-Dispatch Marathon, a couple of Sundays ago.

Now, while running is great cardiovascular exercise (French for “hating yourself”), there are several downfalls to it. The first is that running is bad for your knees. Well, not your knees. A runner’s knees. You are clearly not a runner because you are sitting down reading this column. Were you a runner, you wouldn’t have time to read this because you would be a.) running, b.) eating tofu while running, or c.) struggling to get out of your straitjacket.

Ergo, (Latin for “So, anyway,”) the second downfall of running  is that really serious runners are crazy as a football bat.  We know this because we used to be runners. As members of our respective high schools’ varsity cross-country teams., we learned that runners are people with heart, desire and the knowledge that they did not have the coordination to play actual sports.

We ran over hill and dale.  We discovered the limits of endurance.  We discovered self-discipline.  We discovered that wearing those really short running shorts made us, as guys, very uncomfortable.  We discovered conclusively that the fabled “runner’s high” was actually just a “bad trip.”

But that is neither here nor there.

What is both here and there is that the Times-Dispatch Marathon was the largest public display of general disaster in the city since the last time the Yankees burned it.  Or the last time they had the marathon.

If you were watching Channel 12’s special live marathon coverage, you missed the best part of the race. It was a moment that defined running: The Moment.The Moment itself was momentary – it seemed to last only a moment, but it was a momentous moment. Especially for those who had to wash momentos of the moment off their clothes. 

The Moment occured with the eventual winner, Mark Harrison, several miles from the finish line and a full mile ahead of the next runner. Harrison, striding with confidence and determination, took a brief moment to glance at the fans on the side of the street. Seeing the cheering faces and the waving hands, Harrison turned his head and vomited. 

And he kept running.

Then, as an encore, he threw up again.

Without breaking his stride.

Now, as former runners ourselves,  we know we what Harrison was thinking: “That damn fat guy with the goofy hat.”  Allow us to explain. 

The most distinct difference between runnners and fans at an event like the marathon is that while runners are often delirious on top of being insane to begin with (as evidenced by the fac t that they are voluntarily running 26 miles), the fans are merely sadistic. Your average running fans will stand on the side of the road, smiling, remaining stationary and drinking beer, while the runner struggles by, sweating up to (true fact!) fourteen gallons of water per second.

Then, seeing the runner, the average fan will actually yell something like, “Keep it up!” or  “You’re almost there!”

Now, being runners ourselves, we know that “almost there” translates directly into “You poor bastard.  Ha ha!”

The runner will usually grin encouraginly at the fans and mouth something like “Please kill me.”

We are certain that Harrison’s reasons for vomiting had nothing to do with the actual physical exertion involved with running. Instead, we know that there was a fan, most likely a fat one, wearning one of those hats with two beers attached to it and the two bendy-straws hanging down to suck on, who yelled something like “Hurry up!” as Harrison was running by.  His only response, since strangling the fan would require far too much energy, was to “barf”, or, as the French say, boot.

Jeff saw the Richmond marathon first-hand, sitting in his car, stuck in the traffic jam on Cary Street, which extended (true fact!) a bajillion miles long (the traffic jam, not Cary Street).  Hundreds of cranky motorists sat in their cars, watching the valiant efforts of these hearty athletes, and all (the cranky motorists) thinking, “If that traffic cop wasn’t here, I could just run over ‘em and be on my way.”

Consider this proposition: a runner weighs roughly 150 pounds and is made of soft, fleshy material.  A car weighs up to four tons and is made of metal (except for Geos, which are made of Nerf).  

Furthermore, the cars are on their way somewhere important, like Denny’s or home to watch “The Simpsons.”  

The marathon runners aren’t going anywhere, and they’re even doing that slowly.  These people have so much free time that they’re running 26 miles to go in a big circle. And, while we are certainly in favor of “free time,” that’s just ridiculous.

Think of all the things these people could have been doing with their time.  Like curing cancer.  Or feeding ducks.  Or  sending us money.

Let’s look at this whole “marathon” thing from the eyes of the runners. The reason we can do this is not because we are actual runners ourselves, but rather because we are columnists and we know everything. For instance, we know the very simple and obvious solutions to age-old questions like “What is the meaning of life?” and “Why are women insane?” and “Hey, honey, what’s the matter?” and “NO, REALLY, WHAT’S THE MATTER?” Of course, if we just came right out and told you theanswers to these questions, there wouldn’t be a need for a professional columnists and we’d have to live in cardboard boxes instead of the luxurious dumpsters we live in now.

So, years ago, more than three thousand  (a number we made up in lieu of doing any actual research) potential runners were sitting on couches and in diners across the city, nation and world. Suddenly these people got glints in their eyes, which sounds as if it should hurt.  Anyway, followed by the glint, these people got ideas, and they started thinking strange thoughts. 

They thought, That’s it. I got it. I’ll RUN! I won’t run from anything. or to anywhere, I’ll just run. And I’ll run a LOT, so that I am often sweaty and always always wheezing. And I will badger OTHERS to run, until EVERYONE is running, and we are all so busy sweating and wheezing that our Alien Overlords From The Planet “Gort” will have NO PROBLEM conquering the world!  HA HA HA HA!

Or at least we think it was something like that.

This thought process ended years later at the starting/finish line on 6th and Broad streets when,  when all those trillions (or whatever) of running careers reached a climax. As each of these runners crossed the finish line, they thought, almost in unison, “Great Creeping Buddha!  What was I thinking?”

The Big Question here is: who is to blame for all this nonsense?  The runners?  No.  That would be adding insult to injury and vomit.  The fans?  No.  They had the only ones who had the sense not to actually be running.  The Times-Dispatch?  Convenient, and it’s always good to blame them for something, but probably not in this case.  The City Council?  True, another easy target – and extremely funny – but this is still probably not their fault.  That huge pitcher of Kool-Aid that used to bust through walls and sing during their commericals, back when we were kids?  No.  In fact, that’s just stupid.

Who, then?

That’s right, Yoko Ono.  Why?  Because Yoko Ono – besides the fact that in the “World’s Most Irritating Person” contest she finished second only to “Gallagher”  – broke up The Beatles, leading to a chain reaction of disasters including spiraling inflation rates, the chart-topping success of the band “A-Ha” and an overall increase in crime, disease, volcanoes and gross “yeast infection” medicine commercials during TV programs that guys mistakenly watch.  Ono’s continued existence is one of the Seven Signs of the Apocalypse (French for “going to Hell in a handbasket”).  Other signs include Candians winning the World Series and Keanu Reeves “performing” “Hamlet.”  

So this event, which fulfilled biblical prophecy (Revelation 14:9 “And the Beast shall say unto John, ditch Paul and make irritating albums with me”), began the long cascade of all-around berserkness which is responsible for the marathon and the general decline and fall of more or less everything.  

Or whatever.

By Paul Caputo and Jeffrey Carl

The future history of the next 16 years in the city of Richmond Virginia, chock full of extremely short lived topical references. If you did not live in Richmond in 1995, you will find it monstrously unfunny. Then again, you’ll probaby find all of our stuff monstrously unfunny whether you lived there or not.

Hi. We are Jeff and Paul.  That being the case, we have supernatural powers which allow us to see the future.  We recently warmed up our crystal ball (which looks suspiciously like an old “Magic 8-Ball”) and glimpsed at the future of Richmond until the year 2000.  Was it bright and happy?  The Magic 8-Ball leaned toward yes.  Was it funny?  Our vision: Cannot answer at this time.  It is through our fool-proof sequence of complex yes or no question that we can reveal to you, valued State reader, the following:

The History of the City of Richmond: 1995-2001

October 19, 1995 — You pick up the Richmond State and are reading this column. (So far, so good.)

Several moments later, 1995 — While you’re busy reading this, somebody steals your wallet.

October 12, 1995 – The Monument Avenue statue of Arthur Ashe is torn down and replaced with a new one, because city officials say the old one is “ugly as Hell.”  Sculptor Paul DiPasquale retorts, “Well, excuuuuuuuse me.”

November 3, 1995 – New statistics reveal that Richmond’s murder rate is the highest in the country.  Police Chief Jerry Oliver says, reportedly, “Oops.”

December 1, 1995 – Mayoral elections are announced.  Mayor Leonidas Young responds, “Somebody please run and get me out of this job.”

December 19, 1995 – Oliver North announces his candidacy for the mayorship.  His slogan is “North – He Needs the Work.  Badly.”  

January 8, 1995 – The Richmond Times-Dispatch, in an effort to boost a seriously flagging readership, merges with Style Magazine.  The new newspaper is called “The Rychmond Tymes-Dysptach,” and has over 30 pages of personal ads.

January 22, 1996 – In a surprise move, television star David Hasselhoff declares his candidacy for the mayor of Richmond.  When asked why, he responds, “I’m a big musical star in Germany.”

May 6, 1996 – In the mayoral election, Leonidas Young retains his seat after everybody forgets to vote.

September 20, 1996 — Radio personality Howard Stern asks Richmond officials to “let him know when that mayor position is open.” 

January 16, 1997 – The Tymes-Dyspatch, to fight further decreases in readership, switches to an all-comics format.  The headline of the first edition reads, “Mary Worth in Wild Love Triangle, Sources Report.”

February 1, 1997 — Richmond gains national attention when the state supreme court rules that it is constitutional for teachers to confine parents to their room if their children do not perform well in school. 

April 13, 1997 – Four members of the Richmond City Council resign after being arrested for speeding.

June 8, 1997 – The Richmond Braves are kicked out of the International League after losing the baseball playoffs to Girl Scout Troop #327, a Pittsburgh Pirates farm team.  Richmonders vow to get another sports team immediately.  The Richmond Renegades release a statement through their director of public relations that says, “HEY!  What about us?”

     Richmonders simply shrug and go watch the Washington Redskins lose to the expansion Springfield Egg Shells on TV.

June 21, 1997 – The Tymes-Dyspatch, in a last-ditch effort to gain readers, begins just making up news that they think would be interesting.

July 5, 1997 – New statistics say that Richmond’s murder rate is the highest in the universe.  According to these statistics, everyone in the city will be dead by Tuesday.

July 25, 1997 — Controversy reigns on Monument Avenue as ground is broken for a statue of David Hasselhoff.  Confederate-flag-wielding protesters darken the moment, chanting and throwing rocks. One protester says, “I mean, couldn’t they get a real hero? How ‘bout the Dukes of Hazzard?”  Monument sponsors admit that Daisy Duke would make a much better-looking statue.

     Sculptor Paul DiPasquale can not be reached for comment, but releases a statement through an agent, stating, “Hey, they love him in Germany.”

September 1, 1997 — Police Chief Jerry Oliver is replaced by an aging Clint Eastwood. When new Chief Eastwood is asked by reporters about new community patrol efforts, he simply squints and says something about punks, then shoots a television reporter. This earns him a standing ovation.

September 3, 1997 — Howard Stern announces that he is running for mayor.

September 7, 1997 – Police Chief Eastwood resigns in order to star in the next “Police Academy” sequel. At a press conference supportive Mayor Leonidas Young is quoted as saying, “We have police?”

September 15, 1997 — Leonidas Young says “I’m sick of this job.  The City Council can bite me,” and announces that he will host a four-hour comedy morning talk show on WRVA. Howard Stern is reportedly “really pissed.”

December 9, 1997 – A statue of Bo and Luke Duke is erected on Monument Avenue.  The plaque reads: “Just two good ol’ boys; Never meanin’ no harm; Beats all you never saw; Been in trouble with the law since the day they were born.”

January 13, 1998 — Controversy rocks Richmond’s City Council as more than half of its members are forced to resign after they are busted for selling Girl Scout Cookies without a license.

February 6, 1998 – New police chief Barney Fife resigns after it is revealed that he is actually a fictional character.

February 7, 1998 — New statistics reveal that everyone in Richmond has been murdered at least once, and that others have been brutally slain more than six times.  Police Chief Madonna says, “I’m outta here.”

February 8, 1998 – The City Council selects as its new police chief: RoboCop.  One council member says, “OK, so he isn’t real, but we think he’ll scare people.”

February 19, 1998 — Oliver Stone’s latest movie, “Natural-Born Losers,” which depicts the escapades of Richmond’s now-famous city council, is released.

March 3, 1998 – Marion Barry is elected to the City Council after it is discovered that he is only candidate who has already served his jail time.

March 28, 1998 — The popular dance club Paragon wins a landmark legal battle with the City of Richmond, after it sued the city for “being really lame.” The city pleads “no contest.”  Afterwards, the victorious law firm, Joynes, Bieber and Cochran, which represented Paragon in the case, holds a press conference n which they announce that “we totally rule.” 

April 3, 1998 – The new Richmond baseball team, the “Richmond Tomohawk-Wielding-Maniacs,” is selected because, in the team owner’s words, “That way we can still use that stupid-looking indian-thing stuck to the stadium.”

April 4, 1998 – The Tomohawk-Wielding-Maniacs lose to Girl Scout Troop #327.  All six fans in attendance are reportedly “really pissed.”

May 4, 1998 – In a seemingly unrelated incident, David Hasselhoff has a sandwich for lunch, thousands of miles away.  Coincidence?  We think not.

October 30, 1998 — Richmond State reporter Jason Roop dresses up in all black on the night before Halloween, Mischief Night, and covers both of the Comycs-Dyspatch’s main buildings with toilet paper.  Reportedly, nobody cares.  The Dyspatch runs an editorial the next day condemning toilet paper as being the fault of welfare.

November 4, 1998 — The Richmond State shocks the newspaper world by buying out The Rychmond Comycs-Dyspatch.

     Says new editor in chief, Jason Roop, “Hey, why not? They’ve got some cool buildings, once you get the toilet paper off them.”

May 11, 1999 — Mayoral candidates Howard Stern, Oliver North, Colin Powell and Ringo Starr each receive zero votes.  The winner is write-in candidate General Robert E. Lee, despite the fact that he has been dead for more than a hundred years.

June 30, 1999 – General Lee posthumously resigns as mayor.  City officials say they will seek a new mayor from the entertainment industry because “they are involved in fewer scandals than the other candidates.”

August 9, 1999 – The entire City Council is arrested for being City Council members, which is now a felony offense.

September 2, 1999 – The Richmond State-Dyspatch reports that the Virginia Supreme Court has declared that parents can be shot if their children receive a “C” on tests.

November 23, 1999 – Geneticists successfully mate a VCU student and a University of Richmond student.  Doctors report that the child is born wearing a Brooks Brothers shirt, but has its nose pierced.

January 1, 2000 – The Mayor Formerly Known as Prince declares that Richmond is once again seceding from the Union, citing “irreconcilable differences.”  State troopers are given orders to shoot anyone with New Jersey license plates on sight.  A second Confederate government is formed; new Attorney Generals Joynes, Bieber and Wapner call the move “entirely constitutional, except for the illegal bits.”  In the midst of the controversy, plans for a new Monument Avenue statue of Howard Stern go unnoticed.

     As responsible journalists, we feel that no city should know too much about its own future. It is for this reason that we stop this future history at the dawn of the new century. After that moment, it is up to the city of Richmond to determine its own future.

     Also, our Magic 8-Ball has too many bubbles in it to read correctly, and to go any further would mean to compromise the sanctity of our predictions. Jeff has even suggested that we make stuff up just to fill space.

     Lord knows we wouldn’t want to do that.